NOIR
NOIR Kei Ninomiya's shimmering FW23 presentation at Le Marché des Blancs Manteaux was Paris Fashion Week’s centre of attention.
There are few designers who stood out for their ability to create sculptural runway pieces this fashion week and NOIR was one of them. Experimental materials with glimmering and metallic finishes sent models gliding down the runway like fluorescent particles in the air.
Particularly the iridescent pieces, which bounced gently as they caught the light, conveying a feather-like weight I am sure they did not possess. Various nets and knots layered the body yet it was not constrained as the sheerness and holes allowed room for a very relaxed movement.
Notably, Ninomiya’s iconic harnesses remained a statement yet stepped away from typical black leather grunge through a mixture of pink metallic bows, braided laces, and bright fuzzy intertwinements.
Ninomiya certainly gave his collection a floral feel with an apocalyptic twist through the seemingly microbic, molecular shapes. These shapes are intended to open Ninomiya’s mind to ‘new worlds’ as well as the viewers, who are transported through both the garments as well as the unique makeup and headpieces.
Talking backstage to makeup artist Amazing JIRO, the seemingly paint-splatter-like splashes on the model’s faces are a ‘thick gelatine,’ again creating an other-worldly feel of deformation. Suddenly, the rules of proportion and human features no longer apply, as though NOIR’s floating, bacteria garments have contaminated its wearer. The expressionist beauty of these blue, yellow, and pink marks offers a fresh take on the apocalyptic fashion trend, Ninomiya’s hopeful message for the future of our post-pandemic world.
The headpieces were also fitting, evoking crashing meteors or modern-day spaceships. Uniquely, each piece was made through burning plastic, Ninomiya’s reference to environmental issues and the need to look outside this world into the next. His intricately constructed garments versus the spontaneity of the make-up and headpieces are perhaps a nod to the fast-paced fashion world that beckons designers to maintain their craftsmanship whilst also urging the creation of Instagram-worthy, spectacle pieces. Embodying the spirit of fashion today, the models’ looks are well thought out with the illusion of a last-minute, thrown-together ensemble.
NOIR’s show confirms there is still room for extreme sculptural design in fashion, an art that must surpass the need for trends. Ninomiya’s experimentation with materials, forms, and processes opens up the necessary conversation about sustainability in the industry, looking towards a future that is both bright and only partially but not entirely noir.
Music: Original composition by Setsuya Kurotaki